"Unsheltered"
Contemos la historia nuevamente, contémosla en superficie, la historia como deslizamiento. Tal vez lleguemos a la princesa. Pero ella no está arriba, está dentro; ella es él siendo ella. Si el amor es capaz de salvar es porque renuncia a ser otra cosa que él mismo; es porque logra importarse más que cualquiera de los objetos amados. Para conservar el amor a menudo -o siempre-es preciso renunciar al objeto, pues el objeto una vez obtenido, deja de ser la diana o el cebo donde el amor puede proyectarse. Por eso, un objeto imposible, es el medio más eficaz. Los sueños no son bellas ilusiones o esperanzas; los sueños son revelaciones, peldaños en los que habitamos, círculos dantescos; los sueños son lugares de la mente y del alma, ámbitos que cobijan las imágenes que creamos al ir viviendo. Es preciso estar atentos, poner cristales transparentes a las paredes de los sueños, ir descubriéndonos a través de ellos. Descubrir nuestras propias imágenes, las que nosotros creamos, no las que hemos heredado. Chantal Maillard.
Let´s tell the story again, tell it in surface, history as sliding. Maybe we get to the Princess. But she is not above, inside; She is him being her. If love is able to save is because it renounces to be anything other than himself; It is because he manages to be imported more than any of the beloved objects. To keep often - love or always — is necessary to renounce the object, because the object once obtained, ceases to be the target or the bait where love can project. For this reason, an impossible object, is the most effective way. Dreams are not beautiful illusions or hopes; dreams are revelations, steps in which we inhabit, Dantesque circles; dreams are places of the mind and the soul, areas that cover the images that we created to go living. It is necessary to be attentive, put crystals transparent walls of dreams, to discover us through them. Discover our own images, which we create, not the ones we have inherited. Chantal Maillard.
Let´s tell the story again, tell it in surface, history as sliding. Maybe we get to the Princess. But she is not above, inside; She is him being her. If love is able to save is because it renounces to be anything other than himself; It is because he manages to be imported more than any of the beloved objects. To keep often - love or always — is necessary to renounce the object, because the object once obtained, ceases to be the target or the bait where love can project. For this reason, an impossible object, is the most effective way. Dreams are not beautiful illusions or hopes; dreams are revelations, steps in which we inhabit, Dantesque circles; dreams are places of the mind and the soul, areas that cover the images that we created to go living. It is necessary to be attentive, put crystals transparent walls of dreams, to discover us through them. Discover our own images, which we create, not the ones we have inherited. Chantal Maillard.